An unusual and beautiful poem about the everyday loss of ego
My stepdaughter and I circle round and round.
You see, I like the music loud, the speakers
throbbing, jam-packing the room with sound whether
Bach or rock and roll, the volume cranked up so
each bass note is like a hand smacking the gut.
But my stepdaughter disagrees. She is four
and likes the music decorous, pitched below
her own voice-that tenuous projection of self.
With music blasting, she feels she disappears,
is lost within the blare, which in fact I like.
But at four what she wants is self-location
and uses her voice as a porpoise uses
its sonar: to find herself in all this space.
If she had a sort of box with a peephole
and looked inside, what she’d like to see would be
herself standing there in her red pants, jacket,
yellow plastic lunch box: a proper subject
for serious study. But me, if I raised
the same box to my eye, I would wish to find
the ocean on one of those days when wind
and thick cloud make the water gray and restless
as if some creature brooded underneath,
a rocky coast with a road along the shore
where someone like me was walking and has gone.
Loud music does this, it wipes out the ego,
leaving turbulent water and winding road,
a landscape stripped of people and language-
how clear the air becomes, how sharp the colors.
HYMN TO TIME
by Ursula K. Le Guin
Time says “Let there be”
every moment and instantly
there is space and the radiance
of each bright galaxy.
And eyes beholding radiance.
And the gnats’ flickering dance.
And the seas’ expanse.
And death, and chance.
Time makes room
for going and coming home
and in time’s womb
begins all ending.
Time is being and being
time, it is all one thing,
the shining, the seeing,
the dark abounding.
What I Have Learned So Far
Meditation is old and honorable, so why should I
not sit, every morning of my life, on the hillside,
looking into the shining world? Because, properly
attended to, delight, as well as havoc, is suggestion.
Can one be passionate about the just, the
ideal, the sublime, and the holy, and yet commit
to no labor in its cause? I don’t think so.
All summations have a beginning, all effect has a
story, all kindness begins with the sown seed.
Thought buds toward radiance. The gospel of
light is the crossroads of — indolence, or action.
Be ignited, or be gone.
We see a rainbow, but what we have is drops of rain and light—a process. Similarly, what we ‘see’ is a self; but what we actually have is a whole lot of thoughts going on in consciousness. Against the backdrop of consciousness we are projecting a self, rather than a rainbow. If you walk toward the rainbow you will never get there.
David Bohm, Thought as a System
I had posted this wonderful quote from Bohm several years ago; I now feel I have understood something new about it.
A whole lot of thoughts going on in consciousness. To this, Bohm would probably add, there are a whole lot of feelings floating around too. On top of which there is a subtle sense of self fleetingly dancing in there somewhere; and it is this sense of self, which is in essence a thought/feeling, that somehow seems to anchor all the other stuff that floats around in consciousness.
Try as we might, we cannot pin it down; the rainbow simply cannot be found, for it is ultimately an optical illusion. For this reason, probably, Ramana insisted that we try to find out the “I” thought. Seek and ye shall not find, for it is fundamentally illusory.
I absolutely love this metaphor: drops of rain and light posing as a solid self. Drops of thoughts and emotions. Can we merely see them as drops of light, sun, rain? Nothing else is required.
Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,
But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.
Twilight and evening bell,
And after that the dark!
And may there be no sadness of farewell,
When I embark;
For tho’ from out our bourne of Time and Place
The flood may bear me far,
I hope to see my Pilot face to face
When I have crost the bar.
One of my favourite poems; it captures so well the intersection between mortality and eternity, in a flash of words.
There is a musical rendering of this poem by the group Salamander Crossing which is stunning. Click here.
BY W. S. MERWIN
with the night falling we are saying thank you
we are stopping on the bridges to bow from the railings
we are running out of the glass rooms
with our mouths full of food to look at the sky
and say thank you
we are standing by the water thanking it
standing by the windows looking out
in our directions
back from a series of hospitals back from a mugging
after funerals we are saying thank you
after the news of the dead
whether or not we knew them we are saying thank you
over telephones we are saying thank you
in doorways and in the backs of cars and in elevators
remembering wars and the police at the door
and the beatings on stairs we are saying thank you
in the banks we are saying thank you
in the faces of the officials and the rich
and of all who will never change
we go on saying thank you thank you
with the animals dying around us
taking our feelings we are saying thank you
with the forests falling faster than the minutes
of our lives we are saying thank you
with the words going out like cells of a brain
with the cities growing over us
we are saying thank you faster and faster
with nobody listening we are saying thank you
thank you we are saying and waving
dark though it is
It was a cloudless morning, so early and time seemed to have stopped. It was four-thirty but time seemed to have lost its entire meaning. It was as though there was no yesterday or tomorrow or the next moment. Time stood still and life without a shadow went on; life without thought and feeling went on. The body was there on the terrace, the high tower with its flashing warning light was there and the countless chimneys; the brain saw all these but it went no further. Time as measure, and time as thought and feeling had stopped. There was no time; every movement had stopped but there was nothing static. On the contrary there was an extraordinary intensity and sensitivity, a fire that was burning, without heat and colour. Overhead were the Pleiades and lower down towards the east was Orion and the morning star was over the top of the roofs. And with this fire there was joy, bliss. It wasn’t that one was joyous but there was ecstasy. There was no identification with it, there couldn’t be for time had ceased. That fire could not identify itself with anything nor be in relationship with anything. It was there for time had stopped. And dawn was coming and Orion and the Pleiades faded away and presently the morning star too went its way. Krishnamurti’s Notebook